| Sweet Home Chicago |
| I Can't Quit You Baby (with B. B. King) |
| Blues Jam |
| Hoochie Coochie Man |
| GUITAR SPACESHIP |
| George "Buddy" Guy (born July 30, 1936) is a five-time Grammy Award-winning American blues and rock guitarist and singer. Known as an inspiration to Jimi Hendrix, Eric Clapton, Stevie Ray Vaughan, and other guitarists, Guy is considered an important exponent of Chicago blues. Guy is known for his showmanship: for example, he plays his guitar with drumsticks, or strolls into the audience while jamming and trailing a long guitar cord. Born in Lettsworth, Louisiana, Guy grew up in Louisiana learning guitar on a two string diddley bow he made. Later he was given a Harmony acoustic guitar, which he later donated to the Rock and Roll Hall of Fame. In the early '50s he began performing with bands in Baton Rouge. Soon after moving to Chicago in 1957, Guy fell under the influence of Muddy Waters. In 1958, a competition with West Side guitarists Magic Sam and Otis Rush gave Guy a record contract. While Buddy Guy's music is often labeled Chicago blues, his style is unique and separate. His music can vary from the most traditional, deepest blues to a creative, unpredictable and radical gumbo of the blues, avant rock, soul and free jazz that morphs at each night’s performance. In addition, Guy's pathfinding guitar techniques also contributed greatly to rock and roll music. Guy’s guitar playing was loud and aggressive; used pioneering distortion and feedback techniques; employed longer solos; had shifts of volume and texture; and was driven by emotion and impulse. These lessons were eagerly learned and applied by the new wave of 1960s British artists and later became basic attributes of blues-rock music and its offspring, hard rock and heavy metal music. Jeff Beck realized in the early 1960s: “I didn't know a Strat could sound like that — until I heard Buddy's tracks on the Blues From Big Bill's Copa Cabana album” (reissue of 1963 Folk Festival Of The Blues album) and “It was the total manic abandon in Buddy's solos. They broke all boundaries. I just thought, this is more like it! Also, his solos weren't restricted to a three-minute pop format; they were long and really developed.” -- Wikipedia, the free encyclopedia: January 21, 2009 (http://en.wikipedia.org/wiki/Buddy_Guy) |
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